Masterclass: Embracing the Unexpected - Improv Filmmaking
In this masterclass, filmmaker and writer Kiriko Mechanicus will take the audience behind the scenes of her work. How can you prepare for the unpredictable developments in (documentary) filmmaking? The subsidy system often requires a well thought out plan, so how do you leave space for discoveries and surprises, which you may encounter during production?
The director of the acclaimed documentary How to Catch a Butterfly, which premiered at SXSW Festival in Texas and played at several international festivals, including the opening night of Go Short in April, will share her thoughts on the role of improvisation throughout every stage of filmmaking.
Kiriko Mechanicus (she/her, 1995) also known as Kiri Academy, is an Amsterdam-based Dutch-Japanese documentary filmmaker, writer of fiction and non-fiction, culinary researcher, photographer, host, full-time opinionated bitch and part-time party girl.
Her graduation film A Tomato Tragedy (2023) won the Filmfonds Wildcard prize. Her debut film How to Catch a Butterfly (2026) premiered at South by Southwest in Austin, Texas and won the award of best international short film at Millenium Docs against Gravity (Warsaw), IndieLisboa (Portugal) and best national short at Leiden Shorts. She directs music videos, short documentaries, experimental videos, television documentaries and babbles about cinema endlessly (publicly) on the Celebrating Cinema podcast. Kiriko writes for various literary publications such as Vice magazine and Hard//Hoofd. Once, she was even asked to write a poem for the visit of Italian president Mattarella at the 30-year anniversary of the European Union in the Netherlands. Wild! Professionally, she is down for anything, especially things that she hasn’t done before.